The males [of many animal species]. . . continue to vie for the prize of siring offspring via the one-celled messengers of themselves they leave as a consequence of mating: their sperm. [1]
Fuck is everywhere, scrawled in black felt pen on the stall walls of the third floor girls’ room or chalked across the red brick near the bus line where the greaser boys mob like crows. You walk past them daily, a fifty-yard trudge from car to entrance, and the entire time, you feel their eyes radaring through your wool kilt down to where your white Lollipop panties hide your treasure chest. At least that’s how your gym teacher makes it sound, like your tunnel down there is studded with gems so precious you need an armored car in order to make your way safely through the world. Like you should die rather than hand over the key.
. . . among insects and spiders, at least, . . . females control much of what happens in reproduction.
In the locker room after swim class, you huddle up with a dozen other girls underneath the hair dryer—a rusted udder whose nipples blow tornadoes of hot air at your scalp—and howl the lyrics to “Louie Louie” into the bristles of your hairbrush. You try not to look shocked when the girl next to you brags about almost-but-not-quite getting finger fucked by a tenth grader in his father’s garage, or when she sweeps her hair up to show you two faded blue stains where he sucked her neck.
. . . female black field crickets in Australia let spermatophores remain attached longer for more attractive males (those singing energetic songs) than for relatively wimpy males.
At night you manufacture movies in your head starring you and whatever face you paste onto a shifting cast of fantasy men—the cute lead singer for Herman’s Hermits, usually, or any one of the Dave Clark Five. Or the skinny ninth grader whose AV duties endow him with a spoonful of cool evident in the ease with which he threads filmstrip into projector. In your own movie, he threads your treasure chest with gold and asks you to do it, only you don’t know enough about it to even imagine it, and so you fall asleep.
. . . females of most species mate with more than one male, often in rapid succession. . .
Practice makes perfect, and over the years you will practice a lot. You will do it in motel rooms and basement apartments and once on the eighteenth green of a golf course on Christmas Eve. You will do it with men you call friends, with men you see once and never again, and men who are not nice. You will do it so often that you will barely recall the time before you understood what it entailed, only that it loomed in the distance like a city at night and how you counted down the miles until you arrived.
Leigh W. Simmons, a biologist at the University of Western Australia, in Perth, claims that you don’t understand life unless you have studied dung flies . . . .
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[1] All quotes come from Marlene Zuk, “Sperm and Eggs on Six Legs,” Natural History 119, no. 6 (June 2011): 23–35.
Sarah Freligh is the author of Sort of Gone, a book of poems that follows the rise and fall of a fictional pitcher named Al Stepansky. Her work has been featured in Garrison Keillor’s “Writer’s Almanac” and in the anthology Good Poems, American Places. Among her awards are a 2009 poetry fellowship from the National Endowment for the Arts, a poetry grant from the Constance Saltonstall Foundation in 2006, and a grant from the New York State Council for the Arts in 1997.
Illustration by Marc Snyder
19 comments
Anne Panning says:
May 16, 2012
Great piece!
Sarah Wells says:
May 16, 2012
Woo!
Well done, friend.
Don Shea says:
May 18, 2012
Lovely! Reminds me of (though very different from) my flash story “True Love.”
Sarah Freligh says:
May 20, 2012
Don, I know that story: Appeared in “Flash Fiction,” yes? Something so sexy about bugs.
don shea says:
May 27, 2012
Yes, that’s the story Sarah — the brutal mating habits of the Praying Mantis and the empid fly.
Don
Eva Carafa says:
May 24, 2012
Isn’t it funny how all we were ever taught about sex was that we shouldn’t have it?
marcia aldrich says:
Jun 14, 2012
I could read more and more but am happy with what I was given: the art of brevity.
Julie Damerell says:
Jun 14, 2012
This is part of a book, right? I mean, you can’t just end it there. Poignant writing, Sarah.
Justin Bessler says:
Jun 15, 2012
What a climax, considering you’ve fiddled with this for the last year. Well done, especially seeing how it came from poetry and wound up in this form. Phenomenal.
Kathryn Winograd says:
Jun 19, 2012
Sarah: good to see it here–where it deserves to be!
Sarah Freligh says:
Jun 20, 2012
Kathryn, thanks so much for the prompt that prompted this!
Anne Bennett says:
Jul 4, 2012
Conveys a sad, lonely sense of loss. An unfulfilled adulthood reminiscing over the thrill of adolescent sexual ignorance. Ultimately the poem seems childish, as if the character is stuck longing for the thrill of titillation, of promise. The memory is one of happiness at the mystery mixed with disappointment with the adult reality. It feels like arrested development.
Dinty says:
Jul 4, 2012
But not a poem, Anne Bennett. An essay.
Anne Bennett says:
Jul 6, 2012
Thank you Dinty for the correction. I apologize for the elevation. I’m sure you’d like to dismiss my entire opinion over a simple slip but I stand by the analysis. Perhaps it probes too deeply for a simple essay.
Don Shea says:
Aug 11, 2012
“The memory is one of happiness at the mystery mixed with disappointment with the adult reality.” Why is this not a legitimate subject for essay or poem? Where is it writ that adolescent sexual mystery should evolve into some sort of idealized albiet undefined mature sexuality? This is Advanced Essays 301, not Psychology 101.
Jennifer Litt says:
Jul 11, 2012
I think the piece conveys the awkward self-consciousness of sexual awakening before emotional maturity in a culture brimming with hypocrisy. It does all of this with musical language and a sense of the absurd. I’ve read this piece several times, and I’ve heard the author recite it in two venues. It works both ways. I find the Bennett comment somewhat harsh and personal, rather than constructive.
Kit Willis says:
Jul 13, 2012
Wow; left speechless. Great work!
Sejal Shah says:
Oct 14, 2013
Sarah, I am really glad to read this and to have re-met you this past weekend. Lovely, haunting, rich essay.
Sarah Freligh says:
Oct 14, 2013
Thank you! Lovely to see you again, too.