To rummage there was to be let in on a secret. You whispered. You tiptoed. Among the satin, lace, and letters of my mother’s was a string of pearls I let trickle across my palm. It had clung to the collarbone of her grandmother, my great-grandmother, Anna B, the one who claimed to be born on the boat coming from Slovakia. Mom and I would roll our eyes. We both would have died in childbirth, we believed, without modern medicine. Sure, born on the boat.
I have since worn such necklaces with proper office attire for important meetings where I told grown men what to do with their business’s marketing budgets, and they listened. I felt brave. I even drove my own car there and back as if we women have always been doing such things. Anna B, that supposedly water-birthed babe, never got her license.
She was ninety-five when she died in 2002. She had a drawer, too, drawers and drawers of Things of Significance I fingered sacredly, brooches and costume jewelry, stretched out nylon stockings, embroidered pillowcases, rosaries, a whole drawer of twist ties and rubber bands and the backs of used envelopes. I touched everything. It was all odd and otherworldly, important because it was hers.
Only after her death did the genealogical records surface to confirm it, yes, Anna B, “born on boat.” Anna B’s mother had two other young children with her and her husband when they set sail. Her parents’ names were anglicized from Stephanus and Bronislawa to Berdie and Steve. Berdie set out for a new country that pregnant. Berdie had already lost two infants in Slovakia. Berdie would lose two more children, age six and age eight, in the New Country, the country of foreign tongues, the country of promise.
Berdie birthed a baby between two continents.
I can feel the heat of reverence in my fingertips still, decades removed from my mom’s top dresser drawer, where she kept her Things of Significance. I open my own top dresser drawer. There’s a Westminster Abbey bulletin, a map guide to Paris, ticket stubs from my trip back to the Continent, countries maybe Stephanus and Bronislawa traveled through to get my in-utero great-grandmother here, to get her only son born, to get her granddaughter, to get to me. There are hospital wristbands identifying my three birthed children who survived in sterile rooms with gloved surgeons and nurses, the ones that made it despite the four we lost to miscarriage.
It is my fifteen-year-old daughter who holds in her hand the string of pearls and asks to wear them now. They make her look old, too old, too much like a woman who came before her. Someday these things will be yours to wear, yours to bear, I think, watching her in the mirror. I unlatch the strand and put it back in the drawer.
You can tell they’re real because of the knots, I hear my great-grandmother say, showing me the way we’re strung together.
___
Sarah M. Wells is the author of five books: a memoir, American Honey: A Field Guide to Resisting Temptation, The Family Bible Devotional Volumes 1 and 2, and two collections of poems, Between the Heron and the Moss and Pruning Burning Bushes. She is a freelance marketing content writer and also writes regularly for Root & Vine News and God Hears Her, a blog from Our Daily Bread. She lives in Ashland, Ohio, with her husband, a dozen fish, three children, two westies, and one bearded dragon named Joey.
Photo by Dinty W. Moore
8 comments
Cheryl Barron says:
Jan 18, 2022
Wow! Mom’s topdrawer_no mans land. Or kid. Wonderful piece
Jan Priddy says:
Jan 20, 2022
Breaks my heart—the things we save in a drawer and sometimes no telling how they came to be there. I was researching diaries of western migration on this continent. Only women tracked the births and deaths, the birthings and dyings. Those knots that prove we are real.
Yes, “too old for you,” my mother used to say, and now I am myself old.
Sheree combs says:
Jan 20, 2022
I can also still feel the heat of reverence in my fingertips when I recall carefully touching the things that my Mamaw kept in the hatbox of the old chifforobe in our bedroom. Old letters, photos, button and sachets, to name a few. Thank you for this wonderful piece and the memories it evoked.
Candace M Cahill says:
Jan 23, 2022
“…showing me the way we’re strung together.” Lovely.
Sandra McRae says:
Feb 11, 2022
My mother died at the beginning of the pandemic, and this summer we finally got together to empty her house. That feeling when I opened her top dresser drawer–this piece brought me right back to that mixture of awe, a slight fear, a reverance, and deep respect and tenderness for her vulnerability. What we hide in our special drawers among the slips and mementos…and not being there any more to defend what was once held precious. It was a tremendous responsibility and privilege to do the final sorting. Thank you for this piece.
Maria Gómez says:
Feb 18, 2022
It is a compelling story. I would like to read more from you. You have an interesting style and write with emotions.
I can relate to the story. The things our parents keep and the history behind them are a true fortune.
Gerry Eldred says:
Mar 6, 2022
Your piece resonated with me as a soon-to-be 82 year old woman who has mementos stashed not just in drawers but in boxes and containers that hopefully my children will find amusing when “clearing” my stuff.
Jennifer Sask says:
Apr 19, 2022
“Showing me the way we’re strung together.”
What a beautiful piece of writing.