On Going (Back)
Some beer-soaked dance floor in a bar outside Boulder. I’m twenty-eight or twenty-nine, wild inside a pocket of bodies and an I’ve-gone-away mind, lifting a sweaty bottle of two-buck beer above my head like a lantern. He’s watching from the crowd’s edge. Since he moved in months ago, I devise ways to disentangle, disappear. Distance...
You Know
K sounds—both evil and good—are crashing into my ears from everywhere. Not only the biggies—kill and kiss—but the lipstick and the triptych and the styptic and the dipstick, the kicking against the pricks, the key-keeper (oh no, not the basement again), the key-card to get in (and the platinum one for getting out), the kerygma...
Mary Poppins and the Art of Sweetening with Scene
In the essay “Reflection and Retrospection: A Pedagogic Mystery Story,” Phillip Lopate tells us that he has always been attracted to the passages in memoir and personal essay “where the writing takes an analytical, interpretive turn.” He says that he considers these explicative moments to be “the dessert, the reward of prose.” Now, given Brevity’s...
Forest in the Trees: The Challenges of Shaping a Book (not a Collection) of Essays
In The Writing Life, Annie Dillard seems to warn writers away from embarking on a collection of individual works: “…[S]ince every original work requires a unique form, it is more prudent to struggle with the outcome of only one form—that of a long work—than to struggle with the many forms of a collection.” As someone...
Flight Status
I like to sit in my car and watch them. Sometimes I don’t even need the binoculars to see their beauty marks: burn scars behind rear-mounted engines or scuffs and dings thoroughly pocking the bottom of fuselages. The one before me is at least twenty-five years old, carries more than 5000 gallons of fuel, and...