The cow’s been sick for three days, like nothing I have ever seen before. Standing in the yard, heaving. A violent rhythm. Like when you’re so sick your body fights to empty the stomach, only her chest is covered in froth, new and virgin-white, not bile. And her mouth hangs open, mucus from her nose running into it. And her moaning is low, not painful, as if she’s somewhere else. As if she doesn’t hear the sound of her own call.
Father would have put her down already if she weren’t so far along. Any day now, he said. When flesh is money, you don’t just bury it. Her calf might be okay, he said. We’ll wait it out. See what happens.
She wanders the yard, lost, with giant golden-brown irises, red matted fur. My brothers and I have quit our play, sitting on the porch. Hers is a slow pace. A stumbling shuffle. We watch her struggle through a bush. I hug my arms tight around my legs. It’s cold, supposed to snow.
She’s like a zombie, Arael says. Why doesn’t he tie her up?
When has he ever cared enough? Michael says.
She won’t even drink from her water bucket anymore, its sides stained yellow from the well, what Father calls strong water.
He knows what he’s doing, I say.
The cow clears the bush and changes direction. Towards the porch, towards us.
We break for the front door; our small fingers frantic to lock her outside.
Night comes, Father standing over me. Get up, he says. She got out, we gotta go find her. I wake Arael and Michael, leaving Joseph and my four younger sisters on the floor mattress to sleep.
We stand on the porch, assaulted by the snow. Each of us wearing jeans, salvation-army coats, and double-layered socks for gloves. Three or four inches on the ground so far. Father leads the way, marching us through the fallen fence. My face is already frozen, making it hard to see much in the white-spackled firmament. Sagebrush births from the predawn darkness under our boots.
Arael! Mike! Follow the fence, Father yells, a screaming match with the howling wind. David! Walk straight ahead until you meet us.
Darkness swallows my father, my brothers. I put my sock-hands over my ears and walk. Moonless, the night is void, the snow coating my eyelashes. The wail of the wind is the only sound alive.
It’s hard to tell how far I’ve gone, the falling snow erasing my footprints almost as quickly as I make them. I push through the storm, through the burning in my cheeks and the cold needles in my toes. Through wet pants stiff against my raw thighs as I stumble. I close my eyes. Dark is dark but everything hurts less with them closed. I imagine heat around my numb fingers, a hot bath in our strong water. How far to the fence? How much longer? I trip on something and collapse into the snow, roll over to see what caught me. The cow and her calf.
The calf is half in, or half out, dead.
Frost has stacked around her large newborn eye, lashes of tiny crystal trees. A still-life portrait of Creation. If only her mother had stayed close to the electric lights and comfortable two-by-fours, the calf might’ve made it. But instinct is hard to overcome. It’s in us all.
In the morning, Father collects her soiled hay, her excrement, a mason jar of water from her stained yellow bucket. Part of her brain, lumped and white, lives inside our freezer next to the sweet peas. We bury the frozen portrait with an aging CAT backhoe, deep. Deep so nothing eats of its sickness. I stand at the grave’s edge as the yellow hydraulics moan, watching the two of them disappear under the frozen dirt.
At the University of Wyoming lab, a vet in a white coat holds up a tawny glass slide.
Well, it’s not good, she says. I’ve seen it before in herds on high sulfate wells like yours: birth defects, neurological issues, brains like Swiss-cheese. That water can’t support plants, let alone cattle. Or people.
My mouth dries and I taste our strong water, like old eggs and pennies. Father accepts the stapled papers she hands him. I listen as he thanks the vet, as he tells her we weren’t drinking the water. That it wasn’t supporting us all.
___
David Daniel Riedel was born and educated in Bosler, Wyoming, and is currently pursuing an MFA at the University of Pittsburgh. His writing frequently explores obsession and the uncanny within our everyday world. In 2021, he won the Torry Award for his UFO novella Terrestrial Issues and was shortlisted for The 2022 Ghost Story award. His short stories and essays have appeared in the Worm Moon Archive, The McNeese Review, Huffington Post, and elsewhere.
Artwork by Meera Lee Patel

5 comments
Jan Priddy says:
Sep 16, 2026
Poverty makes everything hard, the hard things so much harder we forget there is any other way.
I know people who will not read a story where an animal dies. Animals die, all of us.
Minh Nguyễn says:
Sep 19, 2026
What stays with me is that final image, you tasting your own strong water in your mouth while your father tells the vet you weren’t drinking it. That’s the whole piece in one breath: the lie a family tells to survive its own choices, and the child old enough to know it’s a lie but not yet able to say so. The frozen calf, the wait for the cow to get “far enough along,” the flesh-is-money math, all of it builds toward that moment of complicity you didn’t choose. Devastating and precise. Nicely done!
Jake Sargent says:
Sep 22, 2026
I, too, grew up in immense poverty and it has been the subject of many of my pieces. You have done an incredible job of capturing it here, David, in a way that doesn’t ask for sympathy, but just states the facts. The way you infer and imply and trust the reader to feel what’s behind the words has moved me to goosebumps. The last two paragraphs are haunting.
MK McGee says:
Sep 23, 2026
Such a good piece! We learn so much about this family through the lines. Excellent.
B. Bilby Garton says:
Sep 29, 2026
Powerful. Well done.