Brevity’s Craft Essay Archive
Our Craft Essay Archive extends back to 2005, a rich trove of essays exploring the challenges of writing, the craft of characterization, voice, image, syntax, and structure, author interviews, and many other aspects of the writing life. You can access these essays here, or by using the search box. We have also tagged many of...
Brevity Craft Merges with the Brevity Blog
As of March 2024, Brevity has folded our Craft Essay section into The Brevity Blog, side-by-side with an active daily discussion of craft and the writing life. The Brevity Blog reaches thousands of readers each month, with the aim of publishing quality essays that include the arc and movement found in all good essays. Appropriate topics for the...
How Do You Know When It’s Done?
I was about to send off what was to be the final draft of my first book to my agent when I had the heart-stopping thought, what if I rewrote the book again? How much better could it be? The thought made me go so weak in the knees, I had to sit down. My...
The Power of Writing in Threes: The Triptych
The Power of Three Writing a triptych, or an essay consisting of three parts, allows the writer to explore a topic in a layered form. Originally from the Greek word triptychos, meaning three folds, the triptych became popular with visual artists in the Middle Ages. Like the artist presenting three separate panels as a singular...
Three Computational Methods for Writing Nonfiction
Nonfiction, in the tradition of the personal essay, is a wandering expression of ideas, a memory here and a dreamscape there. But how do you begin the composition process? Moreover, how can you organize your ideas and establish a strong workflow? Years ago, I came across a YouTube video in which an instructor (I don’t...
Ghost: The Flash Ending That Appears from Nowhere
For a while, I’ve been contemplating flash essays as fireworks. It isn’t difficult to imagine the shortest of micros, say 100 words or less, as a salute: a bang so loud and a flare so quick, it bumps in your chest, a physical response to the discomfort of it. I can see the more traditional...
Writer and Editor as Creative Collaborators
My years in corporate communications taught me how to churn out copy that met deadlines and management messaging strategies. I built a career but lost my drive as a creative writer. Criticism came fast post-publication, but collaboration during the drafting process was absent. I was a solo operator and just kept stringing words together on...
On the Aside Looking In
I’m not good at keeping secrets, but I love collecting them. Of course, I’m not saying that I can’t keep my friends’ secrets (though maybe I’m writing that on the off chance one reads this). The secrets I can’t keep are my own (when I was nearly 16, I came out to my parents one...
Revising with Lenses
An axiom from the world of sales: If you give someone two choices, they’ll probably pick one. If you give them three choices, they’ll say, “I have to think about it.” If you give them four choices, they’ll say, “Forget it, I’m fine with what I have.” Our point: Considering too much at once can...
Craft and Creative Process: Loosen Science Writing from Technical Grooves
A key element of the scientific process is play. This is often overlooked. When I say play, I mean the kind of game that might end with everyone crying. The suspense, risks, hope, joy, and dead ends of making hypotheses, forging wilderness, and running experiments are messy. Wonder fuels inquiry and, often, human connection sustains...
‘Caught up in the Jaws’: Writing for Theme
One of the best pieces of advice I ever got about writing personal essays came from one of my MFA teachers, Susan Cheever, at Bennington College. “Write for theme,” she told us in workshop. “Not plot, theme.” Her lesson changed my life. Without a universal theme, personal essayists can end up writing anecdotes or catalogues...
Close Encounters of the Nonfiction Kind
In 1972, astronomer J. Allen Hynek published The UFO Experience, which included a classification system to describe three levels of “close encounters.” Though I am a skeptic regarding UFO sightings, Hynek’s scale intrigues me for what it suggests about how nonfiction writers might recognize promising subjects when they appear and encourage encounters of the deepest...
Getting Lost—and Found—in Personal Narrative
Getting lost is scary. As toddlers, my sister and I got separated from our parents in a giant store. I can still feel the verge-of-tears panic, the tightening of the throat. What if Mom and Dad abandoned us? What if strangers kidnapped us? That’s what’s frightening about getting lost, isn’t it? To be torn from...
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