Ghost: The Flash Ending That Appears from Nowhere
For a while, I’ve been contemplating flash essays as fireworks. It isn’t difficult to imagine the shortest of micros, say 100 words or less, as a salute: a bang so loud and a flare so quick, it bumps in your chest, a physical response to the discomfort of it. I can see the more traditional...
Writer and Editor as Creative Collaborators
My years in corporate communications taught me how to churn out copy that met deadlines and management messaging strategies. I built a career but lost my drive as a creative writer. Criticism came fast post-publication, but collaboration during the drafting process was absent. I was a solo operator and just kept stringing words together on...
On the Aside Looking In
I’m not good at keeping secrets, but I love collecting them. Of course, I’m not saying that I can’t keep my friends’ secrets (though maybe I’m writing that on the off chance one reads this). The secrets I can’t keep are my own (when I was nearly 16, I came out to my parents one...
Revising with Lenses
An axiom from the world of sales: If you give someone two choices, they’ll probably pick one. If you give them three choices, they’ll say, “I have to think about it.” If you give them four choices, they’ll say, “Forget it, I’m fine with what I have.” Our point: Considering too much at once can...
Craft and Creative Process: Loosen Science Writing from Technical Grooves
A key element of the scientific process is play. This is often overlooked. When I say play, I mean the kind of game that might end with everyone crying. The suspense, risks, hope, joy, and dead ends of making hypotheses, forging wilderness, and running experiments are messy. Wonder fuels inquiry and, often, human connection sustains...
‘Caught up in the Jaws’: Writing for Theme
One of the best pieces of advice I ever got about writing personal essays came from one of my MFA teachers, Susan Cheever, at Bennington College. “Write for theme,” she told us in workshop. “Not plot, theme.” Her lesson changed my life. Without a universal theme, personal essayists can end up writing anecdotes or catalogues...
Close Encounters of the Nonfiction Kind
In 1972, astronomer J. Allen Hynek published The UFO Experience, which included a classification system to describe three levels of “close encounters.” Though I am a skeptic regarding UFO sightings, Hynek’s scale intrigues me for what it suggests about how nonfiction writers might recognize promising subjects when they appear and encourage encounters of the deepest...
Getting Lost—and Found—in Personal Narrative
Getting lost is scary. As toddlers, my sister and I got separated from our parents in a giant store. I can still feel the verge-of-tears panic, the tightening of the throat. What if Mom and Dad abandoned us? What if strangers kidnapped us? That’s what’s frightening about getting lost, isn’t it? To be torn from...
Emotional Pacing: Lessons in Writing a Trauma Memoir
Writing a memoir about childhood familial trauma has taken me into fraught storytelling territory. The narrative centers on growing up in the shadow of my maternal aunt’s murder that took place when my mother was pregnant with me. She kept her sister’s murder a closely guarded secret throughout my childhood. This aunt was my mother’s...
Consider the Platypus: Four Forms—Maybe—of the Lyric Essay
What is a lyric essay? Lyric comes from the late sixteenth century: from French lyrique or Latin lyricus, from Greek lurikos, from lura ‘lyre.’ To the ear, “lyre” and “liar” sound the same, which I resist because I do not condone lying in essays, lyric or otherwise. But mythology tells us that the origins of...
Writing as a Doorway to the Unknown in Ourselves
Dante’s often-quoted beginning of the Divine Comedy has the narrator arriving at a dark wood, unsure of which way to turn. To many writers and artists, Dante’s predicament is a familiar, disquieting, and essential starting place. Leonard Cohen wrote, “I write to reveal not what I know, but what I don’t know.” And of an...
Waxing Episodic: On Meg Tilly, Early Trauma and the Rise of the Fragmented Memoir
I have fallen for a thirty-year-old memoir. That fact that a memoir snagged me isn’t surprising. For all the genre’s pitfalls—the dogged self-reference, unmitigated earnestness and occasional fibbery—when a story is both well-told and true, its power is unparalleled. A good memoir can magnify silenced voices, shed light on overlooked places and connect us beyond...
Structure: Lifeblood of the Lyric Essay
Writing mostly poetry for the last two years, I had pretty much given up on prose. Until I met the lyric essay. It was as if I found myself a new lover. I was on a cloud-nine high: I didn’t have to write a tightly knitted argument required of a critical essay. I could loosely...
Inside the Box: On Queering the Fragment
To preserve the author’s preferred formatting, this Craft Essay is available here as a PDF document.
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